Thanksgiving Day, Nov 28,1986 first appeared in the chapbook Tornado Alley, with illustrations by S. Clay Wilson. Gus Van Sant then made a short film of Burroughs reading the text.
This poem resonates today as exposing what has gone horribly wrong in the USA, or maybe what has always been wrong.
Thanksgiving Day, Nov. 28, 1986
William S. Burroughs
For John Dillinger
In hope he is still alive
Thanks for the wild turkey and the Passenger Pigeons, destined to be shit out through wholesome American guts
thanks for a Continent to despoil and poison
thanks for Indians to provide a modicum of challenge and danger
thanks for vast herds of bison to kill and skin, leaving the carcass to rot
thanks for bounties on wolves and coyotes
thanks for the AMERICAN DREAM to vulgarize and falsify until the bare lies shine through
thanks for the KKK, for nigger-killing lawmen feeling their notches, for decent church-going women with their mean, pinched, bitter, evil faces
thanks for Kill a Queer for Christ stickers
thanks for laboratory AIDS
thanks for Prohibition and the War Against Drugs
thanks for a country where nobody is allowed to mind his own business
thanks for a nation of finks — yes,
thanks for all the memories all right, lets see your arms you always were a headache and you always were a bore
thanks for the last and greatest betrayal of the last and greatest of human dreams.
“When Has GOD Failed Us”.
Check out Propaganda (@prophiphop) of Humble Beast speak truth.
Edited by Donald Martin (email@example.com)
Frying Dutchman, a Kyoto-based band virtually unknown a year ago, is behind what has perhaps become the anthem of the post-Fukushima youth movement. The song “humanERROR,” a poetic rant which, if nothing else, clearly articulates the narrative embraced by many Japanese, has become an internet sensation over the past three months. Organizers, concerned that people might not know how to articulate their protest on the one year anniversary of 3.11, began a campaign to get 100,000 people to play “humanERROR” on sound systems across Japan — the louder and more public the better, they explained. Sixty-seven thousand registered.
While we are only seeing the beginning stages of what will undoubtedly be a massive social, political and artistic impact stemming directly from 3.11, it is both heartbreaking and inspiring to watch Japan’s artists struggle with the singular collective catastrophe of their time.
In the video above, watch Frying Dutchman perform “humanERROR” on the banks of the Kamo River in Kyoto — the same banks that gave us the Kabuki Theater.
Frying Dutchman official website: http://fryingdutchman.jp/eng.php
D’bi Young talks about eight principles that she believes can, and will, empower artists, particularly resonating with the needs of African artists.
Presented by The Morcos Brothers
Produced by Okepne Ojang
Cinematography by Elwin Buchel
Brought to you by African Centre
an Andover Yellow / Afritude Production