Stylistically, many Slam Poets are close to preachers – even Saul Williams has spoken of the influence of his father the Baptist Minister in his style of spoken word. However, the connection between slam and proselytizing is becoming more and more visible in the online world these days, as the theological debate goes online and the slam poems and the video responses are creating a fascinating global discussion.
Some might say that Religion has been going around in circles for thousands of years, debating the pros and cons of each set and subset of the splintering churches of the monotheistic juggernaut. Perhaps what is most original about these young spoken word artists is that Youtube has become the pulpit, or the soapbox, and the different worlds of religion are able to share their idealistic, mutualistic, and mono-mystic views without the discussion debasing into violence. Everyone in between can tune in and make up their own mind, or tune out and live their own life, in Peace, whilst the preachers argue about something that is supposed to bring us together.
Although we are non-partisan, SLAM TV presents a taste of the debate from the Christian to the Muslim to the Atheist and a few notes inbetween. These videos have collectively received millions of hits online. But is it poetry, or preaching, or both?
Why I Hate Religion, But Love Jesus || Spoken Word
Why I Hate Religion, But Love Jesus || Muslim Version || Spoken Word || Response
”Why I Love Islam, And Love Jesus Too” The Zaghloool | Spoken Word HD
Why I Love Jesus But Reject Islam
Why I Love Religion, And Love Jesus || Spoken Word
These Spiritual Window Shoppers was written in the 13th century by the Sufi mystic poet Jalal ad-Din Rumi and translated and recited in this short film by Coleman Barks.
Winner of the 2012 Queensland Poetry Festival Filmmakers Challenge.
“Eleanor Jackson’s hush illuminates pre-apocalypse in “Just Before You Died,” directed by Doubting Thomas. Intimacy is constructed through continuous shot twinned with compelling narrative — both focused with care on the poem’s human subject. Voyage simulates relationship, swollen in its tender final woo and woe. Him is you, him we love, and all the more as we move into this gift of a poetry film.”
-a.rawlings : Arts Queensland Poet in Residence, 2012.
Noknowthing Films presents : Just Before You Died.
A Film by doubting thomas
Directed & Produced by doubting thomas
Poetry by Eleanor Jackson
“Going troppo” has never been so well explained as in this poem by legendary Northern Territory writer and poet Andrew McMillan. The film invites us into the mind of a gonzo evening underneath the ceiling fan, drenched in sweat and whiskey as the writer (played by an actor) explores the sultry depths of the infamous tropical build up before the first rains of the wet season each year in Darwin, Australia.
RIP Andrew McMillan 1957-2012
Director/Cinematographer/Editor: Annaliese Ciel Walker
Starring Peter McVean as The Writer
Sound: Colin Simpson
Noted for their intelligent humor, accessibility and observations on daily life, CBilly ollins’ popular poems come alive in a series of animated poems produced by JWT-NY commissioned by the Sundance Channel. Below, Collin’s describes how the project came about.
Sundance Poetry: The Dead, Budapest, Forgetfulness
Art Director Toby Barlow
Copywriter Billy Collins
Creative Director Toby Barlow
Designer Julian Grey, Isaac King, Philippe Blanchard
Director Julian Grey, Juan Delcan
Producer Anthony Garetti, Sue Riedl, Graciela Del Toro
Production Company Headgear, Spontaneous
Editor Julian Grey
Studio/Design Firm JWT/Lodge 212
Client Sundance Channel
Country United States
Lyrics:
Please resist me
Colonise me, compromise me, conflict me
Please don’t risk me
If you see me at the airport
please come and frisk me
Please resist me
Colonise me, compromise me and conflict me
Please don’t risk me
Please call me stupid
Because your resistance brings our evolution
Please resist me
Call me a ‘wog’
It’s brought us so close together I could call me a squad
Please resist me
Lock me in solitary confinement
I’ll close my eyes and admire the quality of the silence
I’ll write rhymes in my mind honestly and define them
Solidly redefine and memorise them
Until like a diamond
when I come out
I’ll be better than when I arrived in
Please resist me
Keep me under the thumb
Keep me down trodden
Keep me under the gun
Keep me working harder under thunder and sun
Son, haven’t you heard? I’m becoming a gun
Please resist me
Because resistance brings evolution
and you’ve resisted me consistently I thank you for your contribution
I’m a happy man
Your stupidity has made me strong
I’ve developed wings, a thick skin and this here opposable thumb
It holds my pen which loads my explodable tongue
So without loading a gun I’m killing high quotas of unemotional…
punks
Sorry – you also taught me to speak French
I learnt it when you kept keeping me at arms-length
And then I learnt Italian just to expand my head
And Greek to learn from where my ancestors had fled
And then I learnt some Yanyuwa just to show the people of this land some respect
You see it’s been your example that has led me to leave you for dead
So don’t trust me
I’m risky
Insurmountable, unaccountable
I’m an undeniable, unreliable, maniacal liability
I fire soliloquies and my liturgies literally leave a literary litany
You see
When I was little
They told me I was illegitimate, illiterate and limited
Little did they know that in a minute I’d be killing it
I’m vivid like in cinemas so my synonym is vividness
I stick it like I’m cinnamon and kill it like a militant
I live it like a citizen – you live a life like imprisonment
Besides Indigenous
immigrant might be the most legitimate of citizens
So it’s better to live a life like us…
Isn’t it?
– Luka Lesson
A powerful response to the agitprop video “Innocence of Muslims” which defends the integrity of the Prophet Mohamed without calling for retribution of violence by # TalkIslam
The young Egyptian poet’s name is unknown.
Statement:
“Find out who the real Muhammad (pbuh) was. He was a lover of the environment, a women’s rights liberator, a carer of the orphan, a man of mercy and of justice.
This isn’t only a response to the cheap film that was made but also a means to let everyone know who Muhammad (pbuh) truly was.”
Australian mining magnate Gina Rinehart has found inspiration in the form of poetry to impart her philosophy of prosperity and mining. The piece, titled “Our Future”, was engraved on a 30-tonne iron ore boulder and discusses the benefits of the resources industry.
Below, The Chaser’s, Craig Reucassel performs the poem on Q&A. Watch the full episode here: http://bit.ly/zYH7N7
Camera – Sony F3, and FS100
Lenses – Sony kit lenses 35mm, 50mm, 85mm
+ Canon 100mm Macro 2.8 L & 24mm L. Most shots were captured using a Cambo Jib.
Star time lapse – shot over 7hours on Canon 7D, 11-16mm Tokina lens, TC-80N3 remote, battery grip with 2 x LPE6 batteries. Capture Settings: BULB, aperture 2.8, 300ISO, 30 second exposures at 5 second intervals – processed in QuicktimePro 7.
Editing – FCP studio 7 and colour grading finished with Color. Cinema tools used for conforming footage for slow motion effect. Sound design created in Pro Tools.
On 6th May 2012, the moon was closer to the earth than it had been for an entire year. Some friends gathered to jam and freestyle to honour the silver luna hare in the perigee moon.
“My Confessions” by Joel McKerrow is an epic poem series that explores the taboos of being white male Christian dominance and the guilt that comes with being the most privileged ‘minority’ in a globalised world.
It is a heartfelt, honest and exposing piece of work that deserves to be seen in it’s entirety so SLAM TV presents all four poems and the epilogue here:
My Confessions pt 1 – The White Part of Me
My Confessions pt 2- The Rich Part of Me
My Confessions pt 3 – The Christian Part of Me
My Confessions pt 4 – The masculine part + The Epilogue